Jeff Briggs 

My paintings of the last few years combine notions and reactions towards and from both the visual and auditory landscape. Since 2006 I have been invested in the way that sound might be represented through intervallic color and rhythmic mark making, creating a visual noise that can be analogous to an auditory counterpoint. White noise is an example we can all relate too. My goal has been to create a resonance that could be likened to the harmonic overtones of a particular instrument, the timbre of a space, or a condensed moment of precognitive experience. Phenomenological shit.